Tag Archives: art

Saturday, 10th Mar 2012

Plastic Beachcombing

Richard and Judith Lang have been combing their local beach for plastic for years and make beautiful works of art with it. Much linkage on Laughing Squid.

I found a couple of lovely documentaries which show them to be lovely people and not at all preachy and condemning. The evil, says Richard, is single use plastic, not plastic in and of itself.

Needless to say this work hits a number of my buttons. I particularly like how they concentrate on the same beach, returning to it again and again and never straying. It’s a piece about a specific place and how that place relates to the whole world through the detritus of civilisation. It’s fantastic.

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Friday, 9th Mar 2012

John Carter in the nude, as Burroughs intended

There’s a big budget movie adaptation of Edgar Rice Burroughs’ John Carter popping up in the cinemas, which is all well and nice, but Heidi MacDonald has uncovered a much more entertaining version by far. A comic strip done by James Killian Spratt which is loyal to the nudity and violence of ERB’s books. He says:

Since I was drawing initially for my own amusement, with no thought of publishing, I pulled all the normal stops and drew the way I imagined the classic story to be written. The characters are highly underclad, yet oblivious to it; it’s their normal way, and they don’t see much naughty or titillating about it. The men are men and the women are women and blood is red and scary. I set out to be honest with the nudity and violence, and the devil take Pollyanna, she needs to grow up anyway.

It’s a fantastic piece of art-for-art’s-sake, hidden away from view and even now only hosted on some shonky hinternet site. As Heidi says, it really needs to be rescued from obscurity and published in a handsome edition. In some ways it’s up there with Fletcher Hanks, only without the bleak insanity.

Came via Dylan Horrocks who mentioned The First Kingdom which I then very nearly bought some issues of on eBay before stopping myself and thinking “what am I doing?” Seventies underground fantasy comics are seductive but no, one really shouldn’t.

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Sunday, 26th Feb 2012

Japanese Fart Scrolls

Fart jokes were always funny.

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Monday, 20th Feb 2012

Sleeping under Digbeth

This painting, Born with Every Bright Morning by Chris Murtagh, is a delight for anyone familiar with the streets of Digbeth, Birmingham.

Click through for more details.

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Saturday, 18th Feb 2012

Penelope Umbrico’s 36 Copyrighted Suns

I love this for many reasons, mostly because I wish I’d thought of it. Fantastic stuff.

via Waxy

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Monday, 13th Feb 2012

Literary police sketches

The Composites is an art experiment that takes physical descriptions of characters from literature and feeds them into police sketch software. Above is Sam Spade from The Maltese Falcon:

Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down—from high flat temples—in a point on his forehead. He looked rather pleasantly like a blond Satan.

Fascinating stuff on a number of levels, most relevant to me being the intersection of artistic intention and computer algorithm. I wonder what living authors would make of this?

There’s an in-depth interview with the artist Brian Joseph Davis at The Atlantic.

via Kottke

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Saturday, 11th Feb 2012

Etsuko Ichikawa’s Pyrographs

Etsuko Ichikawa takes molten glass and swirls it around on paper. The end results are beautiful, like the finest of brushstrokes rendered in carbon, and the process itself is entrancing. This is a lovely film by Alistair Banks Griffin.

via Clusterflock

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Paul Mison’s Lorem Ipsum glitch

A white 500 pixel square JPEG with its colour data replaced by “lorem ipsum” in a hex editor“. Paul talks more about his methodology.

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The Art of Google Books

This hits so many of my buttons it’s untrue. As you probably know, Google have undertaken a program of digitising libraries full of books. Those which are out of copyright are available to search through online. As with any massive undertaking, and this one is really massive, there will be errors. And some of those errors will be really interesting.

The Art of Google Books is similar in many ways to John Rafman‘s 9-eyes and other experiments in searching Google Street View for that which can be considered “art”. I’d go so far as to say it’s similar to panning for gold – ploughing through endless pages of perfectly scanned books looking for that unique error, that glitch in the sand, the place where the mechanised system produced something wrong or different to the norm and the algorithm let it through.

There are currently 54 pages of Google Book Art to browse through. Here’s a small selection that caught my eye.


Torn page, partially digitized in color.


Links (added by Google) through tape


Distorted Text


Black-and-white printed plate of the Aurora Borealis, photographed in color with rippling neon effect.

via Bruce Sterling, I think

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Tuesday, 7th Feb 2012

St Vincent, after Mueck

Rather enjoyed this video for St Vincent‘s Cheerleader even though it’s a complete appropriation of Ron Mueck‘s work. I guess it just adds enough not to be an annoying ripoff. Nice tune too.

via Clusterflock

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Sunday, 22nd Jan 2012

Long reads for a Sunday morning

Some of the articles of significant length I’ve enjoyed over the last few weeks.

Apropos Appropriation – The culture of sampling and copyright infringement for creative gain is hitting the art world. (NY Times)

Clear Lines – One of the nice side-effects of the big Tintin movie is Americans need to be educated as to what the hell is so important about Herge and his creation. This article is a nice concise attempt. (LA Review of Books)

All The Single Ladies – Massive, and I gather quite controversial, essay on being a single woman in your 40s in American. A lovely roller-coaster of personal memoir, sociological study and historical context. (The Atlantic)

Newspapers, Paywalls and Core Users – Clay Shirky’s overview of the online news market starts like this: “This may be the year where newspapers finally drop the idea of treating all news as a product, and all readers as customers.” To which everyone outside the news business replies “you mean they do that?” (Clay Shirkey)

Navigating Love and Autism – A lovely article about two Aspie college kids trying to build a relationship when emotions don’t make sense. “Parents always ask, ‘Who would like to marry my kid? They’re so weird,’ ” she said. “But, like, another weird person, that’s who.” (NY Times)

Can we reach the stars without breaking the bank? – A detailed look at the different options, practical and theoretical, for interstellar space travel. (BoingBoing)

How to get a nuclear bomb – In short, it’s kinda impossible. But the many different ways in which it’s really really hard to blow up New York makes for a highly entertaining read. (The Atlantic)

The first sexual revolution: lust and liberty in the 18th century – An excerpt from a new book by Faramerz Dabhoiwala. (Guardian)

The Torturers Apprentice – Cullen Murphy compared the Medieval Inquisition and the CIA’s interrogation guidelines and finds the Catholics coming out best. The final section is the most interesting, casting torture chambers as “intensely moral places” where “those who wish to justify torture don’t do so by avoiding moral thinking; rather, they override the obvious immorality of a specific act by the presumptive morality of the larger endeavor.” (The Atlantic)

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Friday, 13th Jan 2012

Kim Noble’s Goodbye

A short film for a girl who now loves someone else by Kim Noble.

Things I like about this:

1) It’s emotionally charged without being cloying.

2) It uses juxtaposition that makes me wonder about the meaning of the juxtaposition. Are these important places? Are these moments when he thought of her? If the latter, I like how he thought of her when looking at the photo of her, so he put the photo in front of the photo of her and took a photo of it.

3) The mix of media interests me. An old dog-eared printed photograph being shot by a relatively lo-fi cameraphone. While the edit is quite precise.

4) There are jokes hidden in there. The mens urinals and the stormtrooper helmet. It repays close analysis.

5) The jokes don’t cheapen it. If anything they add humanity and make it even more emotionally charged.

via Andy Field

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Wednesday, 11th Jan 2012

Hard Times For Our Times

This piece of work by James Bridle was brought to my attention by Anna when discussing similar things the other day. I like it a lot.

The work is based on Charles Dickens’ novel Hard Times, originally subtitled For These Times. It consists of 50 identical-looking paperback books, where every text is different. The transformations are stylistic, algorithmic, and literary.

Some copies appear with distorted and pixelated text, or with pages missing or transposed. Some copies have been robo-translated into other languages: I cannot speak to their accuracy. One copy has been translated into another language and back into English, to produce word salad (Yes, there is a lolcat version). In some the words have been changed: a building enlarged here, a dress changes colour, a character lives or dies. Sometimes, whole chapters have been rewritten to alter the outcome, or move the action to another town, another country. Sometimes a word, sometimes more. Each one different.

For the why, read the rest of the page. The last bit made me smile:

My favourite thing: several copies have already been stolen from the gallery. They will inevitably re-enter the food chain at some point, becoming someone’s Hard Times.

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Monday, 12th Dec 2011

Feed your inner misanthrope with Google Shootview

Update: Aw, it’s been taken down. Shame.
Update 2: And it’s back! Must have been a bandwidth issue.
Update 3: Gone again! And it looks like it’s for good this time.

Are you the sort of person who walks down shopping streets wishing you had a fucking machine gun to fucking shoot all the fucking idiots that are in your fucking way? If so then you’ll love Google Shootview. It’s just a simple layering of a gun over Google Streetview with the ability to fire. Nothing actually happens but it’s very satisfying/disconcerting (delete as applicable).

Explore the beauty of the world’s cities, towns and villages through 360-degree street-level imagery… and fire a M4A1 assault rifle.

via Kottke.

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Thursday, 8th Dec 2011

Moon Farm

Found by D’Log

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Saturday, 3rd Dec 2011

Luke Walsh’s blog

Luke Walsh played an important role in my life in the early 1990s, although he probably didn’t realise it. He co-edited Zum!, a comics review zine, and wrote many interesting and illuminating things about underground comics and DIY culture. He then vanished from the scene, as people have a tendency to do (I myself “vanished” circa 2004) but occasionally pops up on my radar.

On one of my irregular checks in to Google+ to see if anything is happening there I noticed I’d been plussed, or circled, or whatever by one Luke Temple Walsh. Following the links I find he has a new-ish blog which he’s been throwing buckets of art at.

Subscribed!

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Friday, 2nd Dec 2011

Lu Xinjian’s City DNA paintings

Lu Xinjian’s obsessively meticulous paintings of aerial views of cities [...] reconfigure architecture, landscape, human activities and infrastructure to short yet exclamatory lines, circles and squares, that are woven into continuous and colossal networks.

What I like about these is the removal of geographical details not because of what they are (such as stripping away everything except water features) but purely for an aesthetic result. These maps are the opposite of useful and yet they’re still recognisable. Nice.

via Otaku Gangsta

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Friday, 18th Nov 2011

The pixel-wide train journeys of Cyrille Henry

We’re hosting Nicolas Maigret this weekend, a French artist here for the Gli.tc/h festival, and while talking about this and that he told me about a fellow artist, Cyrille Henry, who did a series of photographs in 2006 of train journeys compressed into a strips of colour which he calls Voyages.

Many thousands of photographs taken in still shot during a complete train trip provide the photographic material for the “Voyages”. They are then cut and compressed in “grains” and finally assembled into a singular image. Each “grain’s” position depends on the time of the shooting, enabling to show time unrolling from left to right. The whole of a voyage can then be captured and restored with all its nuances : speed, train station stops, clouds, etc.

It’s not a new idea, at least not now. You might be familiar with Moviebarcode where films are churned through an algorithm to reveal their dominant colours through time, and last year I did a small website for Adam Magyar’s Walking As One, where he got people to walk past a one pixel wide camera. There’s also the History of the Sky video which does a double compression of sorts.

What I like about Henry’s images is their almost scrappy uniqueness. He doesn’t have a large apparatus and he’s not using a commercially available source. His journeys are specific to the time and place and there’s an intimacy to the process that appeals to me. This one, of Paris to Rotterdam, is particularly nice as the reflection of the interior lights dominate as night falls.

A selection of his photos are on this page at surprisingly high resolution. The one at the top of this post is Poitier to Paris

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Friday, 11th Nov 2011

24 Hours of Flickr, actualised

Lovely art gallery installation. Wish I’d thought of this first. From Creative Review:

“We’re exposed to an overload of images nowadays,” says [artist Erik] Kessels. “This glut is in large part the result of image-sharing sites like Flickr, networking sites like Facebook, and picture-based search engines. Their content mingles public and private, with the very personal being openly and un-selfconsciously displayed. By printing all the images uploaded in a 24-hour period, I visualise the feeling of drowning in representations of other peoples’ experiences.”

Currently on at Foam in Amsterdam. Hopefully coming to a city near me soon.

via Waxy

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Friday, 16th Sep 2011

Pooktre’s Living Tree Chairs

Why chop down a tree to make it into a chair when you can just ask the tree to grow in the shape of a chair?

In 1986 Peter had the idea of growing a chair. [...] Pooktre has perfected a Gradual shaping method, which is the shaping of trees as they grow along predetermined designs. Designing and setting up the supporting framework are fundamental to the success of a tree. Some are intended for harvest to be high quality indoor furniture and others will remain living art.

They don’t just do chairs either. Plenty to browse on their site.

via this TED talk.

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