Tag Archives: cartooning

Wednesday, 14th Dec 2011

Wednesday Links

I’m not a fan of link aggregation posts. If something’s worth posting it’s worth posting in isolation, I feel. But I do come across a load of stuff that doesn’t have a handy video or image which I don’t necessarily have the time or inclination to expand on and it can’t hurt to share it once in a while. If my behaviour is anything to go by you’ll pick a couple of these and ignore the rest. That’s fine.

A statement from Louis CK who released his self-financed standup film as a $5 unrestricted download and has, in 3 days, taken $500,000, a profit of $200,000. Hopefully this will pave the way for a Bandcamp for movies. Fingers crossed.

No Copyright Intended. Andy Waxy looks at the weird phenomena of YouTube users guarding against copyright infringement takedowns by stating that they didn’t mean it, honest. A fascinating read.

An uncut interview with Alan Moore which was edited down for the Indie. Interviews with Moore always work best when they’re verbatim transcripts.

Fist Of Fun DVD. Lee and Herring bought the rights back from the BBC and have put out a wonderful looking package. It might be on dead media but whoa, there’s some good stuff in there.

Eddie Campbell’s Dapper John, previously known as the Ace Rock n Roll Club and effectively a warm-up to his Alec strips, is reissued as an iPad app. Not sure why it needs to be an app – surely a PDF would do the job – but nice to see this rare material out again.

Stewart Lee’s docco about Morris Dancing is sitting there waiting for me to find an hour to listen to it. I am certain it will be brilliant.

New Construction is Kevin Huizenga’s “reflective practitioner” blog about the howtos of cartooning. Loads of lovely work in progress sketches and tips for the aspiring pen-scraper.

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Wednesday, 12th Oct 2011

The young ladies of Andi Watson’s sketchbook

The cartoonist of some note Andi Watson has been posting some rather nice sketches to his Flickr of late. I felt the need to draw your attention to them.

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Friday, 2nd Sep 2011

Charles Schultz draws Charlie Brown

I often use Charlie Brown’s head as an example of the power of cartooning. A circle, four lines and two dots which, when drawn in the right places, can evoke unbearable levels of emotion. People often mistake complexity for sophistication but the real artists know what to leave out, how to let the reader come in and inhabit the work. It’s why I often compare great artists with magicians because they can create amazing things out of nothing. I can watch cartoonists draw for hours. This footage only takes 50 seconds but that’s plenty of time to be awed.

via Bleeding Cool

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Sunday, 28th Aug 2011

Worm Party

I’m just finishing a website job so this mini-drought on FYPA.NET should be over tomorrow. There’s plenty of good stuff stored up, I can tell you, so hold tight. To tide you over here’s some worms by Simone Lia. Mmmm.

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Tuesday, 2nd Aug 2011

Simone Lia on How To Draw Bunnies

You see, this is the sort of thing Michael Fucking Gove should have on his curriculums. Bunny drawing lessons for all. That’ll raise “standards”.

(I kinda tangentially knew Simone in my London days. She’s just like this in person.)

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Monday, 1st Aug 2011

Nick Abadzis in New York

The cartoonist Nick Abadzis, like all good cartoonists, can’t help drawing and has been making sketches of people in New York. Here are a couple of collections from his notebooks. More on his image blog.

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Friday, 29th Jul 2011

Amber Dean

I’ve seen the above before somewhere, probably in the late 90s / early 2000s when a lot of cartoonists of this style were being rediscovered and appreciated. It’s from a book, What Am I Doing Here, which has been scanned at a gloriously high resolution by the What Things Do collective. They’ve also included some writing on Dean.

At first these pictures look like gag cartoons (there’s a funny drawing, and then a caption that might provide a laugh) but on closer examination they reveal themselves to be a different animal. In a gag strip, the caption usually puts the image to a full stop — the joke has been released from the image, and so the image has been “used up” — disposable as the burnt rind of a firecracker. With some of Dean’s images, the caption can indeed provide a laugh, but the image, instead of coming to a full stop, begins to spool out in disquieting directions…

This one was picked out by Andrew Simone at Clusterflock (from whom, via) and it’s a nice example of this disquiet. At first it’s a sweet image of a young couple in love, but there’s something else lurking there, something unspoken, undrawn even.

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