Tag Archives: television

Sunday, 26th Feb 2012

Grace Hopper illustrates a nanosecond on Letterman

Rear Admiral Grace Hopper, a pioneer in computer science, shows David Letterman how she illustrates nanoseconds in this highly enjoyable interview.

From her Wikipedia page:

Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire which were just under one foot long, which is the distance that light travels in one nanosecond. [...] At many of her talks and visits, she handed out “nanoseconds” to everyone in the audience, contrasting them with a coil of wire nearly a thousand feet long, representing a microsecond. Later [...] she passed out packets of pepper which she called picoseconds.

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Sunday, 22nd Jan 2012

iPlayer Automator

Get iPlayer Automator is a lovely little Mac app which pretends it’s an iPlayer client, downloads telly programs and converts them into files suitable for the iTunes/iOS platform. It’ll even try and download programs as the come out. Perfect for if you watch telly on your Apple device but also really useful if you find the iPlayer stream has an annoying tendency to drop out halfway through a long program, as I had happen with Sherlock today, which is how I found out about this from Chris Unitt. (Also does ITV for some ungodly reason known only to the creators.)

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Wednesday, 18th Jan 2012

The return of Jonathan Meades

Switching to the iPlayer app on the telly I was delighted to find Jonathan Meades’ face glooming out at me, and even more astonished to find it at the top of the recommended list. It’s been a while, it seems, and it’s good to have him back.

The new series is about France and plays a fragmented game, appearing to be an assortment of observations picked at random from his “arbitrary encyclopedia” but actually weaving a sly narrative about national identity. It’s both loving – Meades reflects on his personal lifelong relationship with France as his “second country” – and bitingly critical, admiring and pitying France in equal measures.

It is, in short, a delight. And there are two more to come.

Here’s a nice review in The Independent which, I confess, informed this post a fair bit.

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Tuesday, 30th Aug 2011

Doing it wrong

This montage of infomercial clips has been doing the rounds and it reminded me of this lady I saw in a cafe today. She was in a bit of an emotional state – I didn’t pry but the vibes were screaming something was wrong – and, of course, she couldn’t get anything to work. From the teapot to to plugging in her laptop it was a series of little disasters. I reckon if she’d been in a happy place everything would have worked perfectly.

via Kottke

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Friday, 26th Aug 2011

Ewins and Milligan on the telly in 1988

Bit of Brit-comics history here, a 1988 telly interview on Night Network with Brett Ewins and Pete Milligan in the middle of their adventure in rockstardom, just prior to the launch of Deadline. It was around this time I would queue up outside London comic shops to get the signature of these guys. Was that really 23 years ago? This is particularly interesting for me because while Ewins was a loud and ever-present character of the comics scene Milligan was much more mysterious and quiet, as befits the literary scribe maybe, and I’ve never had a clue what he’s like.

Comes via Mindless Ones where the observation is made:

Just look at Milligan leaning back into the couch, giving cool answers through his shades, and tell me that the whole Strange Days crew aren’t part of of the lineage of working class art-pop stars Owen Hatherly describes in his new book on Pulp.

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Thursday, 25th Aug 2011

Chaos and Higgs

Tonight I watched two excellent science documentaries on the BBC. This demands noting as the standard of factual television documentaries has declined immeasurably over the last couple of decades.

The first was The Secret Life of Chaos which for the first time since I came across the concept in the early 1990s, explained to me in clear and comprehendible terms, what Chaos Theory actually is and what it means. I realised that I know it was important and amazing and that a butterfly can cause a storm but I’d never really appreciated it fully. I now have a better handle on it.

The second was The Big Bang Machine a Brian Cox piece about the LHC which, again for the first time, properly explained to me why the LHC exists and what it’s looking for.

In both of these cases I could probably have found it out for myself by reading books, but for whatever reasons I never did. These programs filled that gap. I frequently deride broadcast television for infantalizing our culture so it’s only right I give credit where it’s due.

That said, these two come under the BBC4 budget which is threatened with reduction, so maybe they’re aberrations, not representations of the system at work.

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Tuesday, 23rd Aug 2011

Ocean Giants

I’ve been enjoying this series on BBC’s iPlayer. On the surface (no pun intended) it’s another “ooh, dolphins and whales are amazing!” documentary but there’s some really fascinating footage in there. The scene with the wales bursting out of the fiord in episode two is so alien it took me a while to figure out what was going on (hint – their mouths are open). And the science is often astonishing. Highly recommended.

(On iPlayer until Sept 4th.)

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Astoundingly Thick

Channel 4 said Walliams’s description of Curtis [as "astoundingly thick" for only scoring one point] should not be taken personally or literally but was instead reference to the worst performance ever seen on Mastermind in relation to a chosen specialist subject. [..] “Ofcom took the view that it would have been clear to viewers from the beginning of the programme that Mr Walliams (himself best known as a comedian) intended to provide humorous and light-hearted opinion and comment on examples of past television clips,” the regulator added in its official bulletin. The watchdog said the programme was “not intended in any material way to be a serious examination of Mr Curtis’s character, intelligence or competence” and “did not result in unfairness towards Mr Curtis”.

In other words, we were only joking and it’s just a clown’s opinion so it doesn’t count. The television industry really is an evil, twisted, misanthropic mirror on the nasty parts of society’s psyche.

Update: To clarify, it’s not what was said that concerns me – it’s the power imbalance between Channel 4 and Curtis and the broadcaster’s abuse of that power.

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Wednesday, 3rd Aug 2011

John Stewart on weird British comedy-parliament laws

Did you know comedy shows cannot use footage from parliament? John Stewart of America’s Daily Show was rather astonished too. via everyone

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Tuesday, 26th Jul 2011

Weekend at Kermie’s

Long, indulgent, nostalgic, emotional yet gripping and essential article on The Awl about the legacy and current state of the Muppets as the new Disney film approaches. Too many bits to choose from but here’s a nice “what if?” Kermit had been alowed to die with Jim Henson in 1990:

It would’ve made more artistic sense than what happened. Instead of an organic personnel shift, [muppetteer Steve] Whitmire became Kermit, which wasn’t only a disservice to that character, but also a real disservice to Whitmire. There was no place for him to take the role. If he strays too far from Henson, embodying Kermit with the parts of his personality that weren’t in Henson, nostalgic fans will be disappointed. He can only attempt the same impression over and over. It’s not the kind of art Henson produced. It’s very un-Muppet.

What it is, though, is very, very Disney—not in the original spirit of Walt, but in the style of a corporation that runs on licensing. This is “art” defined as mass duplication, not wonderment. It is the art of selling Tigger toys to millions of people all over the country who have houses filled with Tigger toys. I’ve always wondered who these people are: the people obsessed with Tasmanian Devils, who keep Mickey memorabilia rooms. Perhaps they are people who do not want to see the human effort behind the fantasy. To many, it must spoil the magic to picture a white-bearded Jim Henson standing underneath the last gelfling child in The Dark Crystal. For me, though, that scene multiplies the meaning of what came before. For that reason, I’ve given a pass to having a room full of Kermit toys. They might be a joy to collect, but where would I put them all? And where would my money go? To fund more great Muppet shows or to market more useless products?

via Longreads

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Wednesday, 20th Jul 2011

Homophobic Friends

Not just a supercut of all the homophobic bits from 10 years of Friends, they’re knitted together to form a narrative which would be watchable if it wasn’t a 50 minute compilation of all of homophobic bits from Friends. More info here. And see also, a semi-alphabetical listing of black actors with speaking roles on Friends.

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