Sometimes a literal title is all you need.
via Jon Bounds in the pub
Sometimes a literal title is all you need.
via Jon Bounds in the pub
I’m not a fan of link aggregation posts. If something’s worth posting it’s worth posting in isolation, I feel. But I do come across a load of stuff that doesn’t have a handy video or image which I don’t necessarily have the time or inclination to expand on and it can’t hurt to share it once in a while. If my behaviour is anything to go by you’ll pick a couple of these and ignore the rest. That’s fine.
A statement from Louis CK who released his self-financed standup film as a $5 unrestricted download and has, in 3 days, taken $500,000, a profit of $200,000. Hopefully this will pave the way for a Bandcamp for movies. Fingers crossed.
No Copyright Intended. Andy Waxy looks at the weird phenomena of YouTube users guarding against copyright infringement takedowns by stating that they didn’t mean it, honest. A fascinating read.
An uncut interview with Alan Moore which was edited down for the Indie. Interviews with Moore always work best when they’re verbatim transcripts.
Fist Of Fun DVD. Lee and Herring bought the rights back from the BBC and have put out a wonderful looking package. It might be on dead media but whoa, there’s some good stuff in there.
Eddie Campbell’s Dapper John, previously known as the Ace Rock n Roll Club and effectively a warm-up to his Alec strips, is reissued as an iPad app. Not sure why it needs to be an app – surely a PDF would do the job – but nice to see this rare material out again.
Stewart Lee’s docco about Morris Dancing is sitting there waiting for me to find an hour to listen to it. I am certain it will be brilliant.
New Construction is Kevin Huizenga’s “reflective practitioner” blog about the howtos of cartooning. Loads of lovely work in progress sketches and tips for the aspiring pen-scraper.
The art of layering multiple recordings of one person’s voice is probably as old as the multi-track tape recorder, and was certainly being done in the 1960s, but the art of coupling this with video recordings of the person making those sounds as they are being made is a relatively new thing, I think, and has become something of an online video phenomena.
I like these because they’re one of those “YouTube artforms” that don’t really work as well outside of that context. It’s also a nice mix of analogue – there are frequently no instruments involved at all – and digital, using technology to defeat the limitations of time and create a choir.
There’s lots of chatter about “digital” agendas in the arts at the moment with, from what I can see, very little clarity as to what that really means. I think something like this might be a clue.
It’s also rather beautiful, of course.
Here’s Alaa Wardi’s website and he came to me via Meg.
I’ve been using OffLiberty to turn YouTube films into audio files (mostly for 8bit Pete to play) but it’s been getting a little shonky of late, as is to be expected from a sevice like this once it gains popularity. So here’s another one to abuse until it too gets too popular.
Kutiman, who has built a career out of harvesting clips from YouTube and producing masterpieces from them, takes 80 performances of Led Zep’s Black Dog and stitches them together in order. It’s great, but it also reminds me of Eric Kleptone’s fantastically unlistenable Bo Rhap, and, on a slight tangent, ECC’s Pwn Monkey from the Old Nerdy Bastard comp. Oh, and here’s one for Paranoid Android from last month.
Oddly enough I was thinking of doing the same myself with Lola having gone through a period of collecting cover versions in the 90s. What do you call this stuff? It’s not really a mashup…
via PixieSixer